R. E. Seraphin

Bay Area Songwriter & Musician

Selected Discography

as R.E. Seraphin:
Tiny Shapes LP (Paisley Shirt Records/Mt.St.Mtn.), 2020
A Room Forever EP (Paisley Shirt Records/Mt.St.Mtn.), 2020
Swingshift EP (Mt.St.Mtn./Dandy Boy Records/Safe Suburban Home), 2022
Fool's Mate LP (Take a Turn Records/Safe Suburban Home), 2024
w/ Talkies:
Sojourner EP (Death Records), 2014
Bright / Sunny LP (Burger Records), 2016
Kowtow LP (Electrify Me Records/Yippee Ki Yay), 2018
“Never Fear” b/w “Hollow” 7” (La Ti Da Records), 2015
w/ Mean Jolene:
Try Harder LP (Austin Town Hall), 2019
w/ Glitz:
It’z Glitz LP (Grazer Records/White Zoo Records), 2013
w/ Lenz:
Under the Neon EP (Tic Tac Totally), 2012
Ways to End a Day LP (1234 Go! Records), 2013
“Leaving (the 21st Century)” b/w “Feeling” 7” (S-S Records), 2011
w/ Impediments:
Self-Titled LP (Happy Parts Recording), 2009
Broken Hits LP (Happy Parts Recording), 2011
“Amphetamine Stepdad” 7", 2008

About

R.E. Seraphin’s songs live in shadows and ambiguity. The Bay Area musician builds raucous, large-scale rock songs, then hushes them to ghostliness around intimate, murmuring vocals that tickle the inside of your ear. Here are anthemic choruses, amp-jumping rock licks and buzzing propulsion that echo through dream corridors, just out of reach.Fool’s Mate is Seraphin’s second-full length under his own name, following the debut Tiny Shapes from 2020 and a pair of EPs, A Room Forever and Swingshift. Denser, darker and more rock-oriented than his previous material, it was recorded with Jason Quever of the Papercuts at his home studio in Crockett, California.Seraphin had been playing with a full band as the lockdown eased, and this album reflects the live chemistry that he’s developed with his crew: guitarist Joel Cusumano (Sob Stories, Body Double), drummer Daniel Pearce (Al Harper, Reds, Pinks, & Purples), bass player Josh Miller (Chime School, Extra Classic), and keyboardist Luke Robbins. Seraphin, Pearce and Miller recorded the basic tracks live, then added Robbins’ keyboards in overdubs. In addition, Seraphin’s frequent collaborator Owen Adair Kelley of Sleepy Sun contributed acoustic and slide guitars, while his wife Hannah Moriah sang background harmonies.It is very much a rock album, with big Spector-esque arrangements and squalling guitar solos. And yet, it also digs into the shifting currents of the subconscious, incorporating snatches of dreams, half-remembered phrases from books and warped memories and imaginings into its textures. “The lyrics are meant to evoke a sense of corporeality — there are references to skin, sweat, teeth, and breath throughout the album, which I intended to unsettle the listener,” says Seraphin. “On the surface, they are love songs but there's a suggestion of something more ominous.”So, while “Bound” chimes with power chords and bristles with clattering drum beats in classic romantic pop style, it also shies away from connection. “No matter what you do to me/I will not be bound,” insinuates Seraphin, throwing a chill on sunny power pop forms. “Expendable Man,” likewise, lets fuzzy garage punk mayhem fly, but banks it down to an uneasy mutter.Seraphin writes quickly and intuitively, trying not to over-manage the flow of melody and lyrical imagery that comes to him naturally. The songs evolve as he works on them with his band, with the musicians often pushing them into unique and off-kilter directions. He likes to include at least one cover on every recording, this time, the Sinead O’Connor song, “Jump in the River,” which he gives an eerily propulsive, ominous spin.A veteran of rock and punk bands, Seraphin now finds himself drawn to sophisticated, storytelling lyricists like Giant Sand, Miracle Legion, Green on Red, Paul Westerberg, and Lloyd Cole. “I don’t really do traditional narratives in my own music, but I do enjoy the storytelling aspects of Americana music,” he said. “After playing in scrappy garage rock bands for over a decade, I’m drawn to more refined musicianship.”Fool’s Mate weaves all these disparate threads together—the kick of punk energy, the surreal intimacy of dreams and the nervy communal punch of live performance—into the best of R.E. Seraphin’s records so far. Full of hooks, but shrouded in mystery, it commands attention with a whisper.Jennifer Kelly (Aquarium Drunkard, Dusted)PRESS:"Fool’s Mate is the quintessential R.E. Seraphin record we have been waiting for… one of the best records of 2024 from one of the best artists of the Bay Area and the whole wide world." - Week In Pop"Raucous, hook-filled...Spector-esque arrangements" - Paperface Zine"...the clearest distillation of Seraphin’s pop vision yet... [performed] with a power pop bite and a bleary-eyed veneer" - Raven Sings the Blues"A clear winner" - Spill Magazine“Displays a sure-handed coherence and magnetism… The result is a set of dynamic, buoyant tracks that snap together a wide enough rock and roll tent to encompass Tom Petty, The Clean and a dash of Mark Lanegan Band, among others.” - Dusted Magazine“Fool’s Mate is a fully-realized, dozen song record of vintage college rock” - Rosy Overdrive“What holds it together and makes it a magnificent indie rock record of 2024 is the way in which, moving from dreamy atmospheres to more energetic moments, it continuously solicits your attention and curiosity.” - Polaroid Blog

Contact

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Thank you

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UPCOMING SHOWS

7/24 - Vesuvio, SF with UFO Baby